CINEMATIC FPV DRONES
FPV DRONE TEAMS FLYING GOPRO, BMPC OR RED KOMODO-X
Looking for a professional FPV drone company for a commercial, feature film, music video or action sports production? Kiwi Aerial Shots is a certified FPV drone video company with over 14 years of experience on international film sets. Our FPV setups are fully modular: from custom-built cinelifters with RED Komodo-X or BMPCC to compact cinewhoops with GoPro or O4. From a seamless indoor fly-through of a showroom or factory to a high-speed chase on a racetrack or action sports location. We advise on the ideal FPV route and camera setup for your shot list so the aerial cinematography integrates with the rest of your production.
"FPV FOR COMMERCIALS, CORPORATE VIDEOS, SPORT-EVENTS OR FULL FEATURE FILM"
OUR FPV DRONES
CINEWHOOPS & FPV RACERS
CINELIFTER
DUCTED CINELIFTER
GIMBAL SETUP
THE BEST FPV DRONES FOR YOUR PRODUCTION
COMMERCIALS | CORPORATE | FEATURE FILM | INDOOR FLY-THROUGH
For FPV productions, everything comes down to the balance between payload, flight time and manoeuvrability. We operate a wide range of custom-built FPV drones, allowing us to deploy the ideal setup for every type of production. We always bring backup drones and all required safety measures to set.
FPV adds a dimension that simply cannot be achieved with a conventional drone. A single dive of one or two seconds, close to the subject, through a narrow gap or past an obstacle, can give a commercial or corporate film an energy that immediately stands out. That is exactly why production companies and advertising agencies are increasingly choosing FPV drone filming as a deliberate creative decision, not an afterthought.
For commercials and music videos we deliver those dynamic shots that make the difference in the edit. For corporate films and indoor drone tours we fly through factories, warehouses and event venues, past machinery, cranes and people, through tight spaces where no other drone fits. And for feature films where action and speed are central, we switch to our larger cinematic FPV cinelifter drones that simultaneously deliver cinema-quality footage.
OUR FPV DRONES
FROM LIGHTWEIGHT TO FULL CINEMA RIGS
- FPV Cinewhoops: Indoor corporate films & events. Small drones with prop guards, the standard for indoor fly-throughs and events. Safe enough to fly through office spaces, showrooms and factories or directly over crowds at festivals. Their minimal weight lets us maneuver through the tightest openings.
- 5-Inch speed: Action sports & automotive. The all-rounders for high-speed action. Built for agility and speed, ideal for chasing race cars, motorsports, or fast-paced action sports.
- Long-Range FPV: Expeditions & large outdoor locations. For shots where distance and endurance are critical, such as in the mountains or expansive natural locations. Optimized for long flights with stable signal range.
- FPV Cinelifters: Feature films & high-end commercials. For cinematic FPV footage where image quality allows no compromise. Flown hard-mounted for a raw action feel, or with an RS4 gimbal for stabilized cinematic imagery. One-take shots, chase sequences, dynamic transition scenes.
- FPV Lighting Drones: In addition to cameras, we also fly FPV drones with cinema LED lighting. From a small ethereal light point flying over a set to a 600W LED lamp illuminating a car at high speed. More information on our Drone Lighting page.
"WE BUILD CUSTOM FPV DRONES AND CAMERA SETUPS FOR YOUR UNIQUE REQUEST"
High-End Camera Setups for our FPV drones
SMALL DJI O4 | GOPRO | BMPC | RED KOMODO-X
The days when FPV drones were limited to small action cameras are long gone. The development of powerful cinelifters now allows us to deploy high-end cinema cameras for dynamic aerial cinematography. Depending on the production, we make a deliberate choice between maximum image quality and maximum agility.
RED KOMODO-X
FPV FAVORITE FOR CINEMA SETUP
For feature films and high-end commercials, we fly with the RED Komodo-X or the Blackmagic Pocket Cinema Camera 6K. The RED Komodo-X is the go-to for FPV work: compact, lightweight, with internal gyro data and a global shutter that is essential at the high speeds and vibrations of FPV flight. Footage matches directly with ARRI and RED material from the ground unit.
- Specs: S35 sensor | 6K at 60fps & 4K at 120fps
- Optics: Frequently used lenses include the 9mm Laowa, 12mm Sigma, the 27mm Nanomorph Anamorphic or our Atlas Mercury lenses for high-end cinematic FPV shots.
- Performance: Despite the heavier payload, our cinelifters reach top speeds of 170 km/h.
GOPRO OR O4
AGILE HIGH-SPEED SHOTS
For close-range chases and maximum agility, lighter setups are the right choice. With the GoPro 13, GoPro Mission 1 or O4 we shoot the best slow-motion footage at high speed.
- High Frame Rates: With the GoPro Mission 1 we shoot up to 240 frames per second, perfect for slow-motion and speed ramps.
- Post-Production: FPV footage is stabilized in post using specialized gyro-stabilization software and can be delivered in both landscape and portrait orientation.
- Indoor: For indoor drone tours and fly-through productions in tight spaces, we use the DJI O4 or a Naked GoPro. We strip away all non-essential components until only the processor, sensor and lens remain, giving us the freedom for extreme maneuvers through the smallest openings.
"CERTIFIED AND INSURED FLYING FPV DRONES IN THE NETHERLANDS AND ABROAD"
FPV DRONE Workflow ON SET
RECCE | TEAMS | DRONE | CAMERA | MONITOR
An FPV drone production requires more than just technical expertise; it demands thorough preparation for the shoot day itself. Selecting the right FPV drone is the first step and depends entirely on the camera setup, the environment, and the shot list. Whether we are flying near talent with prop-guards or chasing a vehicle at high speed with a Cinelifter, the flight lines and safety requirements dictate the specific drone for the job.
RECCE & SIGNAL TESTS
A (tech) recce is essential for complex productions. We assess the location for obstacles like thick walls or steel structures that could interfere with the video signal. Especially for indoor drone tours & Fly-through tours, we often perform test flights to guarantee a stable connection between the pilot and the drone throughout the entire flight path.
FPV DRONE TEAM ON SET
An FPV team consists of at least two specialists, increasing to three for larger Cinelifter shoots:
- Drone Operator (Pilot): Our experienced pilots fly the drone entirely through FPV goggles.
- Spotter: An indispensable observer who monitors the airspace and surroundings. Since the pilot cannot see their immediate environment through the goggles, the spotter keeps bystanders at a distance and manages technical checks for the camera and batteries.
- Technician / Camera Operator: For complex setups, a third specialist supports technical integration, battery management, and the drone’s live feed.
MONITOR AND POST-PRODUCTION
- Real-time Monitoring: The director can always watch the action live via our dedicated monitor. For smaller drones, this is done via the pilot’s low-latency feed, while for large Cinelifters, we use a DJI Transmission system for a crystal-clear image from the RED Komodo-X.
- Gyro-Stabilization: Since FPV drones typically fly without a gimbal, we use specialized software to stabilize the footage in post-production. By matching the gyro data from the camera (such as GoPro or RED), we filter out all vibrations to deliver a perfectly smooth shot. We can provide the final footage in both landscape and portrait orientations.
"FPV DRONE SERVICES IN AMSTERDAM, ROTTERDAM, MAASVLAKTE, AND SCHIPHOL"
FIRST PERSON VIEW DRONES
DIFFERENCE BETWEEN FPV AND REGULAR DRONE
First Person View (FPV) refers to the direct visual link between the pilot and the drone. Via a video transmitter, the pilot receives a live feed directly into FPV goggles, essentially seeing through the eyes of the drone. This allows us to fly through the smallest openings and capture shots that are impossible with a regular drone.
The fundamental difference lies in the flight controller. While a standard drone (such as a DJI Mavic or Inspire 3) automatically holds its position when you release the sticks, we fly entirely in manual mode. No automatic stabilization; the drone simply maintains its last attitude. This gives the pilot total freedom for non-linear flight paths: razor-sharp dives, complex freestyle maneuvers and immersive one-take shots that are impossible with a conventional drone.