CINAMATIC FPV DRONES
FPV DRONE TEAMS FLYING GOPRO, BMPC OR RED KOMODO-X
FPV drones offer a level of flying that is simply unmatched. We translate action into immersive cinema, ranging from technical fly-through drone tours to high-speed chases. Our FPV setups are fully modular, built specifically for every individual task. We fly heavy-lift Cinelifters equipped with the RED Komodo-X or naked Blackmagic Pocket Cameras, configured either hard-mounted or stabilized on an RS4 gimbal. For operations in close proximity to actors, at festivals, or through the smallest openings, we deploy sub-250 gram FPV drones with naked GoPro or O4 setups. By combining technical precision with cinematographic insight, we bring the camera to places others cannot reach. We are eager to collaborate on the ideal setup for your shot list to capture footage that is impossible to achieve in any other way.
"FPV FOR COMMERCIALS, CORPORATE VIDEOS, SPORT-EVENTS OR FULL FEATURE FILM"
OUR FPV DRONES
CINELIFTER
GIMBAL SETUP
DUCTED CINELIFTER
CINEWHOOPS & FPV RACERS
High-End Camera Setups for our FPV drones
SMALL DJI O4 | GOPRO | BMPC | RED KOMOD-X
The days when FPV drones were limited to small action cameras are over. The evolution of powerful Cinelifters allows us to deploy high-end cinema cameras for dynamic aerial cinematography. Depending on the creative brief, we balance maximum image quality with the necessary agility for the shot.
RED KOMODO-X
FPV FAVORITE FOR CINEMA SETUP
For feature films and high-end commercials, we utilize the RED Komodo-X or the Blackmagic Pocket Cinema Camera 6K. The RED Komodo-X is the industry standard for FPV work: it is compact, lightweight, and features a global shutter, which is crucial for handling the high speeds and vibrations inherent in FPV flight.
- Specs: We capture 6K footage at up to 60fps or 4K footage in 120fps
- Optics: Frequently used lenses include the 9mm Laowa, 12mm Sigma for ultra-wide perspectives, or the 27mm Nanomorph or our Atlas Marcury Anamorphics for a high-end signature look.
- Performance: Despite the heavy payload, our Cinelifters maintain top speeds of up to 170 km/h.
GOPRO OR O4
AGILE HIGH-SPEED SHOTS
For complex indoor drone tours and tight environments, we deploy the DJI O4 or a Naked GoPro. By stripping away all non-essential components, we leave only the core processor, sensor, and lens. This ultra-lightweight setup provides the freedom for extreme maneuvers in confined spaces.
- High Frame Rates: We can go up to 240 frames per second with the GoPro Mission 1, perfect for dramatic slow-motion and high-energy speed ramps.
- Post-Production: All footage is stabilized in post using specialized software to ensure a smooth, cinematic finish. and can be delivered in landscape or portrait framing.
- Indoor: For all our Fly-through productions, flying our drones in tight spaces, often near people, we use the DJI O4 camera or a Naked GoPro. These are the lightest camera options we have when size and safety are priority, while making crazy FPV moves and professional stabilized image quality.
"WE BUILD CUSTOM FPV DRONES AND CAMERA SETUPS FOR YOU UNIQUE REQUEST"
THE BEST FPV DRONES FOR YOUR PRODUCTION
COMMERCIALS | CORPORATE | MOVIES | INDOOR DRONE TOUR
FPV cinematography is a constant balancing act between payload, flight time, and agility. A heavier camera requires larger motors and increased battery capacity, which directly impacts flight dynamics. We maintain a diverse fleet of custom-built drones to ensure the perfect setup for every specific production. As a standard, we always bring redundancy to every set with multiple backup drones.
OUR FPV DRONES
FROM LIGHTWEIGHT TO FULL CINEMA RIGS
- FPV Cinewhoops: Indoor Corporate Films & Festivals. These small drones, equipped with prop guards, are the industry standard for indoor drone tours and events. They are safe enough to navigate through office spaces and fly directly over crowds at festivals. Thanks to their minimal weight, we can maneuver through the tightest openings for unique “fly-through” shots.
- 5-Inch speed: Sport Events & Automotive. The all-rounders for high-speed action. These drones are built for raw power and speed, making them ideal for chasing race cars or capturing fast-paced sports on location. They offer the precision needed for aggressive, organic flight paths that capture the energy of the moment.
- Long-Range FPV: For Vast Natural Landscapes. When distance and endurance are critical, we deploy our long-range setups. These are optimized for extended flights in expansive natural areas or mountain ranges, where signal range and battery life are the deciding factors.
- FPV Cinelifters: Feature Films & High-end Commercials. For heavy-duty work where image quality allows no compromise. These powerful FPV drones carry professional cinema cameras such as the RED Komodo-X. Depending on the desired look, we fly these hard-mounted for a raw action vibe, or equipped with an RS4 gimbal for stabilized cinematic footage at extreme speeds.
- FPV Lighting Drones: High-Speed Illumination. In addition to cameras, we also fly large and small FPV drones equipped with high-intensity LED lights. These are used for conceptual shoots—whether a compact 100W LED is needed for ethereal lighting, or a powerful 600W LED must track a car at high speed to illuminate the subject. You can find more detailed information on our Drone Lighting page.
"CERTIFIED AND INSURED FLYING FPV DRONES IN THE NETHERLANDS AND ABROAD"
FPV DRONE Workflow ON SET
RECCE | TEAMS | DRONE | CAMERA | MONITOR
An FPV drone production requires more than just technical expertise; it demands thorough preparation for the shoot day itself. Selecting the right FPV drone is the first step and depends entirely on the camera setup, the environment, and the shot list. Whether we are flying near talent with prop-guards or chasing a vehicle at high speed with a Cinelifter, the flight lines and safety requirements dictate the specific drone for the job.
RECCE & SIGNAL TESTS
A (tech) recce is essential for complex productions. We assess the location for obstacles like thick walls or steel structures that could interfere with the video signal. Especially for indoor drone tours & Fly-through tours, we often perform test flights to guarantee a stable connection between the pilot and the drone throughout the entire flight path.
FPV DRONE TEAM ON SET
An FPV team consists of at least two specialists, increasing to three for larger Cinelifter shoots:
- Drone Operator (Pilot): Our experienced pilots fly the drone entirely through FPV goggles.
- Spotter: An indispensable observer who monitors the airspace and surroundings. Since the pilot cannot see their immediate environment through the goggles, the spotter keeps bystanders at a distance and manages technical checks for the camera and batteries.
- Technician / Camera Operator: For complex setups, a third specialist supports technical integration, battery management, and the drone’s live feed.
MONITOR AND POST-PRODUCTION
- Real-time Monitoring: The director can always watch the action live via our dedicated monitor. For smaller drones, this is done via the pilot’s low-latency feed, while for large Cinelifters, we use a DJI Transmission system for a crystal-clear image from the RED Komodo-X.
- Gyro-Stabilization: Since FPV drones typically fly without a gimbal, we use specialized software to stabilize the footage in post-production. By matching the gyro data from the camera (such as GoPro or RED), we filter out all vibrations to deliver a perfectly smooth shot. We can provide the final footage in both landscape and portrait orientations.
HEADSETS AND 21" MONITOR
"FPV DRONE SERVICES IN AMSTERDAM, ROTTERDAM, MAASVLAKTE, AND SCHIPHOL"
FIRST PERSON VIEW DRONES
DIFFERENCE BETWEEN FPV AND REGULAR DRONE
First Person View (FPV) refers to the direct visual link between the pilot and the drone. Via a video transmitter, the pilot receives a live feed directly into an FPV goggle, essentially seeing through the eyes of the drone. This perspective allows us to navigate through the tightest openings and capture shots that were previously unthinkable. It is the industry-standard setup for high-speed chases and dynamic indoor drone tours where every millimeter counts.
The fundamental difference from a conventional drone lies in the flight controller. While a standard system (such as a DJI Mavic or Inspire 3) remains hovering in place when you release the control sticks, we fly entirely in Manual mode. In this mode, we fly without a safety net. There is no automatic stabilization or self-leveling; the drone simply maintains its last attitude (angle and heading). This gives the pilot total freedom to execute aggressive, non-linear flight paths, from razor-sharp dives to complex freestyle maneuvers and flips. The result? Unique, organic imagery that is simply impossible to achieve with a regular drone.