DRONES, CAMERAS AND
CUSTOM BUILD GEAR
High-end equipment for professional drone productions
One of the things that makes Kiwi a unique drone company is that we have our own workshop in Amsterdam. This place is full of drones, cameras and other drone gear for providing professional aerial shot services. With our own CNC and 3D printers we work on a daily base on custom gear. Everything to make workflow on set easier and make next-level aerial requests come true.
Have a look at this page to get a glimpse of the possibilities we offer. In the end, all productions are unique so it’s always best to contact us and tell us what you have in mind. Challenge us as we love to build the impossible and build new drone gear that has never been out there before.
"FOR EVERY PRODUCTION THE RIGHT DRONE"
TAP IMAGE FOR INFO
KIWI CONDOR
Heavy-lift drone
For ARRI or RED cameras
Up to 13,5KG payload
85 kmpu and 12 min airtime
Fast and easy workflow
For ARRI or RED cameras
Up to 13,5KG payload
85 kmpu and 12 min airtime
Fast and easy workflow
DJI INSPIRE 3
We've got two, always a backup!
Zenmuze X9 camera
Full frame sensor
Resolution 8.1K
4K 120fps / 8K 75fps
Lenses: 11, 18, 24, 35, 50, 75 & 90mm
100km ph
DRONE PAGE Zenmuze X9 camera
Full frame sensor
Resolution 8.1K
4K 120fps / 8K 75fps
Lenses: 11, 18, 24, 35, 50, 75 & 90mm
100km ph
DRONE LIGHTING
We've got three of these Lighting drones
1000W & 2400W LED LIGHT
Over 163.000 Lumen
97 CRI
80 km/h
12 min airtime
DRONE LIGHTING PAGE 1000W & 2400W LED LIGHT
Over 163.000 Lumen
97 CRI
80 km/h
12 min airtime
INDOOR FPV
Indoor drone tour drone
sub 250 gram drone
Naked GoPro 12
5 min Airtime
60 kph
DRONE TOUR PAGE sub 250 gram drone
Naked GoPro 12
5 min Airtime
60 kph
IMMERSIVE CONDOR
Our custom build Heavy-lift drone for Giant-Screen productions and flying theBlackmagic URSA cine immersive camera. 180-degrees content for oa the Apple Vision pro.
Immersive page MATRICE 600 PRO
We've got two, always a backup!
Used for RED and Alexa Mini
6KG payload
70kmph and 16 min airtime
Gremsy H16 gimball
Used for RED and Alexa Mini
6KG payload
70kmph and 16 min airtime
Gremsy H16 gimball
360 VR DRONE
11K resolution in 360 degrees
Insta 360 pro 2 / Titan camera
15 min airtime
360 VR page Insta 360 pro 2 / Titan camera
15 min airtime
14 YEARS OF FILM SET EXPERIENCE
"PROFESSIONAL EQUIPMENT FOR THE BEST WORKFLOW ON SET"
BLACKMAGIC URSA CINE IMMERSIVE
We fly the new Black magic Ursa Cine Immersive for video content for the Apple Vision Pro
3D SPATIAL VIDEO RS4 GIMBAL
We use this DJI gimbal for flying small cinema camera like the RED Komodo-X on our Cinelifter but can also use its for our 1000W LED lighting system.
RED KOMODO-X
Super35 sensor
Global shutter
6K 80fps or 4K 120fps
Dynamic range 16.5 stops
Internal IMU
Global shutter
6K 80fps or 4K 120fps
Dynamic range 16.5 stops
Internal IMU
OUR OWN MINI
4K UHD
Up to 200 fps
14.0 stops dynamic range
ArriRAW / Proress
35mm Sensor
Up to 200 fps
14.0 stops dynamic range
ArriRAW / Proress
35mm Sensor
360 TITAN & PRO 2
We fly multiple Insta 360 cameras underneath our drones and helicopters like the Insta 360 Pro 2 and Insta 360 Titan
MOVI PRO
We use the the Movi pro gimbal for flying the bigger cinema setups and also for the Black magic Ursa Cine Immersive underneath or on top our Heavy-lift drones.
RONIN 2
Strong stabilisation
Payloads up to 14KG
Suited for RED and Alexa
Payloads up to 14KG
Suited for RED and Alexa
X9 DL LENSES
Full lens set for the DJI Inspire 3 with X9 cam
12mm/ T2.8
18mm/ T2.8
24mm / T2.8
35mm / T2.8
50mm / T2.8
75mm / T1.8
90mm / T3.5
12mm/ T2.8
18mm/ T2.8
24mm / T2.8
35mm / T2.8
50mm / T2.8
75mm / T1.8
90mm / T3.5
CAMERA CONTROL
This amazing controler gives us focus control on the DJI Inspire 3 but also controls our Ronin 2 and RS4 on or underneath our drones, including 2 lens motors.
RC-BUGGY
This RC buggy can get speeds up to 100kmph! We can arm it with a cinema camera or put our drone lighting system on it to light up your set!
ATLAS MERCURY 1.5
We have the 36mm, 42mm, and 72mm lens of the new ATLAS&CO Mercury Anamorphic lens set. They are PL mount and used on our Alexa mini or RED Komodo-X with lens adapter. All well insured for professional drone productions.
RED RAVEN
4.5 -8K Resolution
120fps
2k 240fps
REDRAW codec
16.5 - 17.2 dynamic range
120fps
2k 240fps
REDRAW codec
16.5 - 17.2 dynamic range
DJI TRANSMISSION
The DJI Transmission is used on our bigger drones and for wireless image transfer from our FPV or DJI drones to the Directors monitor.
LAOWA ANAMORPHIC
Lightweight Anamorphic lens used on our DJI Inspire 3 and our RED KOMODO-X
T2.8
1.5 X Nanomorph Silver
T2.8
1.5 X Nanomorph Silver
CINEFLEX
We work with a Cineflex or Shotover system for high-end helicopter aerial shot productions.
Helicopter page 21" MONITOR
We always bring two monitors for the director and DoP. A 7" wireless monitor and a bigger 21" who is attached to our Magliner.
Prop Guards
When flying near actors with our Inspire 3 drone we use our prop guards to make the shots more safe.
AERTEC HEADSET
We can't work without our headsets. No hands needed and crystal clear communication within the team together with the director and 1AD.
CUSTOM DRONES AND GEAR
GROUNDBREAKING PRODUCTIONS, PRECISION-BUILT IN-HOUSE
The process often starts with a creative challenge from a director, or when Kim feels that a certain setup can simply be improved. From the very first moment, we collaborate to translate a vision into flight-ready technology. This begins at the drawing board, where we create the initial technical designs and refine them through close consultation. Once the design is finalized, the workshop goes into overdrive: we build, program, and conduct extensive test flights to guarantee stability and safety. Only when the setup performs flawlessly do we deploy it on set. This process of collaborative thinking, designing, and realization allows us to get the impossible into the air.
CUSTOM BY KIWI
ADVANCED ENGINEERING. CREATIVE VISION & NEXT-LEVEL DRONE PRODUCTIONS
While we sleep, our 3D printers keep running to realize the prototypes of tomorrow. We don’t stop at the limitations of off-the-shelf equipment. Almost everything we acquire is stripped down and rebuilt to be lighter, stronger, or more reliable, which is essential when it comes to drone efficiency and safety.
- Custom Drones: Built for more speed, agility, and reduced weight. We create specialized setups, like our Immersive Condor drone, featuring front-mounted cameras for an unobstructed 180-degree view.
- Filmset Props: Whether it’s a ‘drone delivery’ of a Peli case at an offshore wind farm, a functional prop for a commercial, or we are flying the drone swarm that chases the talents.
- Specialized Lighting: Our in-house developed drone lights push the limits of output. Ranging from massive 2500W LEDs to 600W systems for the Inspire 3, and compact 100W LEDs that act as a flying fairy light source on set.
- ART projects: From a flying djellaba in Morocco to a giant set of antlers on a heavy-lift drone for art projects, we get every unique payload stable in the air.
- Multi-camera Array: Development of our multi-camera array for helicopters, delivering 22K resolution and a 310-degree field of view.
- Custom Optics: We design bespoke lens adapters to fly characterful vintage glass on modern digital sensors, such as the Inspire 3.
- On-Set Resilience: Our technical expertise travels with us to the set. With mobile soldering stations and deep electronic knowledge, we pivot instantly whenever the production requires a change of plans.
CUSTOM BUILD
We build unique drones for simply more power or conceptual art. Like a heavy-lift drone with gigantic antlers or a working coffee machine drone.
ART DRONE RIG
A flying Jelabba including an over shoulder shot, could this be done? Sure! We build this custom rig for underneath our heavy-lifter drone with naked Inspire 2 camera system to make the shot.
PACKAGE DRONE
A custom build Kiwi drone for flying your packages from A to B, on a film set that is 😉
DRONE LED LIGHT
The drone lighting system we fly is completely self build and therefore we also have different options. From a single LED with 180W up to 2400W water cooled drone lighting system.
IMMERSIVE CONDOR
This unique drone offers an unobstructed 180-degree field of view by positioning the camera setup ahead of the propellers. It is a one of a kind configuration, specifically built for Flying Theater and Apple Vision Pro spatial productions.
Helicopter Rig
This custom build helicopter rig shows what we can do at Kiwi. This is a camera rig for 3 RED MONSTROS filming 310 degrees in 23K resolution!
MULTI CAMERA ARRAY
This RED MONSTRO setup was build to get 22K resolution image in 310 degrees angle which was needed for aerial footage of an amusement park experience.
KIWI WORKSHOP
In our workshop in Amsterdam we are always building new custom drone and camera gear with our CNC frease and 3D printer.
CINELIFTER FPV
Our FPV drones are always custom-built and tuned for every unique setup and the best shots.
"CHASING BOLD IDEAS BUILDING CUSTOM DRONES AND GEAR"
MULTI CAMERA ARRAY
This RED MONSTRO setup was build to get 22K resolution image in 310 degrees angle which was needed for aerial footage of an amusement park experience.
CUSTOM PARTS
Our 3D printers are going around the clock to build custom parts for custom drones.
DRONES AS A PROP
We also fly drones that are part of the story. When a talent Chasing drone swarm is needed on set. Flying close to actors comes with extra safety precautions that we handle with experience.
FOCUS CONTROL
This custom build controler gives us Focus control over the X9 camera on the DJI Inspire 3 drone and can control our Ronin 2 and RS4 gimbal.
HELI GIMBAL SETUP
For a Mc Donalds commercial we had to film with a heavy Anamorphic setup for which we build a custom gimbal to film sideways from the door.
INSPIRE VINTAGE
We build our own lens adaptors to film with vintage lenses underneath our DJI Inspire 3 drone. We have the Nikkor 20mm, Takumar 50mm en Olympus 85mm but let us know when you want us to any other lens!
WARP CAM
With this camera on a stick system we can film close to our subject and change heights really fast. For example for this TVC commercial for ING filming kids on a soccerfield.
WATER COOLED LED
The first drone lighting system we build was a water cooled system with 9 LED's for 1800W strenght in a small box.
Coffee DRONE
This drone could actually make coffee during flight and foam it's milk. It was build for a conceptual shoot regarding a millitairy commercial.
FPV CINELIFTER
Every FPV drone we fly is a custom build FPV drone. All tuned for the camera setups we fly, with added GPS and if needed an adjustable iris and camera angle.
CONDOR DRONE
Our Condor drone is the equivalant of the Alta-X. As the Alta is build for the US market, we build our own version that is build for flying under European regulations, flying a 25KG MTOM